Over the past month, I have found myself walking out of several movie theaters with my final commentary on the film being "I think I hated that." The most vivid instances of this disdain were after seeing The Tree of Life, Green Lantern, and the recent Hanks/Roberts collab, Larry Crowne. Unfortunately, these were all movies that I had to pay for (whereas many, I see for free through the internship). My mom suggested that it may be karma evening the scales. Whatever it is, I don't like it.
1. THE TREE OF LIFE -- I saw The Tree of Life shortly after is came out in Philadelphia. I had no real idea what to expect because it had done so well at Cannes, but, from watching the trailers, I could not figure out what the film was about. Then I learned that the reason for that was that the film is hardly about anything. It was artsy to the extreme. There were metaphors, whispered lines, and Sean Penn really earning his money by sitting in chairs and looking out windows. I must say that it was a beautiful film. It showed the full capabilities of film and utilized a new storytelling style. The cinematographer, Emmanuel Lubezki, should be crowned king of cinematographers. The film is very high art, which makes it extremely inaccessible to most people, which explains the "ugh" reaction from half the audience. I didn't really feel for any of the characters, which severely lessened my investment in the film. Further, Malick suggested a whole bunch of metaphors that he never wrapped up or connected to the other storyline. For these reasons, I appreciated The Tree of Life, but strongly disliked it.
2. GREEN LANTERN -- I disliked The Tree of Life
becasue it was high art, an acquired taste, you might say. Green Lantern, I disliked for it's lack of taste. For one thing, I severely dislike Blake Lively, in no small part because of her annoying blonde leggy-ness. However, my adoration for Ryan Reynolds outweighs said ill-feelings. Though Reynolds was delightful, the film in general was just "too." Too many special effects, especially when it seemed that Reynolds was doing a "head-in-the-hole" picture becasue his suit and the background were both computer generated, too much make-up on Peter Sarsgaard, making him look laughable rather than menacing (although he did the maniacal act well), too many hokey morals, like when fear is literally ruining the world and courage is the only solution, and finally, too many butt and boob centric (and work inappropriate) outfits for Lively. Although the same could be said for Reynolds, since the studio could have saved millions on special effects by simply painting Reynold's abs green. I know that this common fare for super hero movies, but so many comic adaptations -- particularly X-men and Batman -- have added a little something extra. I wish this had too.
3. LARRY CROWNE -- In the credits for Larry Crowne, I learned that (1) Tom Hanks directed it and (2) Nia Vardalos co-wrote it. I took these as good signs since I enjoy That Thing You Do and My Big Fat Greek Wedding, and it's always nice to see mentor-protegee type teams staying together. But then the movie sucked. The only thing I liked from it was the scenes of the Vespa-gang, which I thought was cute. However, the rest of it was kind of horrible. Almost every character was annoying, most of all Julia Roberts and GuGu Mbatha-Raw. Even Hanks, who was fairly likable, wasn't someone you'd want to be friends with in real life. Further, the entire film was completely improbable, from the 24/7 yard sale hosted by Cedric the Entertainer and Taraji P. Henson (the best characters in the movie), to Wilmer Valderrama feeling threatened by Tom Hanks, to the Hanks-Roberts coupling even though they had zero chemistry and no more than three conversations. This movie will probably fade and finally disappear forever, which would probably be better everyone.
1. THE TREE OF LIFE -- I saw The Tree of Life shortly after is came out in Philadelphia. I had no real idea what to expect because it had done so well at Cannes, but, from watching the trailers, I could not figure out what the film was about. Then I learned that the reason for that was that the film is hardly about anything. It was artsy to the extreme. There were metaphors, whispered lines, and Sean Penn really earning his money by sitting in chairs and looking out windows. I must say that it was a beautiful film. It showed the full capabilities of film and utilized a new storytelling style. The cinematographer, Emmanuel Lubezki, should be crowned king of cinematographers. The film is very high art, which makes it extremely inaccessible to most people, which explains the "ugh" reaction from half the audience. I didn't really feel for any of the characters, which severely lessened my investment in the film. Further, Malick suggested a whole bunch of metaphors that he never wrapped up or connected to the other storyline. For these reasons, I appreciated The Tree of Life, but strongly disliked it.
2. GREEN LANTERN -- I disliked The Tree of Life
becasue it was high art, an acquired taste, you might say. Green Lantern, I disliked for it's lack of taste. For one thing, I severely dislike Blake Lively, in no small part because of her annoying blonde leggy-ness. However, my adoration for Ryan Reynolds outweighs said ill-feelings. Though Reynolds was delightful, the film in general was just "too." Too many special effects, especially when it seemed that Reynolds was doing a "head-in-the-hole" picture becasue his suit and the background were both computer generated, too much make-up on Peter Sarsgaard, making him look laughable rather than menacing (although he did the maniacal act well), too many hokey morals, like when fear is literally ruining the world and courage is the only solution, and finally, too many butt and boob centric (and work inappropriate) outfits for Lively. Although the same could be said for Reynolds, since the studio could have saved millions on special effects by simply painting Reynold's abs green. I know that this common fare for super hero movies, but so many comic adaptations -- particularly X-men and Batman -- have added a little something extra. I wish this had too.
3. LARRY CROWNE -- In the credits for Larry Crowne, I learned that (1) Tom Hanks directed it and (2) Nia Vardalos co-wrote it. I took these as good signs since I enjoy That Thing You Do and My Big Fat Greek Wedding, and it's always nice to see mentor-protegee type teams staying together. But then the movie sucked. The only thing I liked from it was the scenes of the Vespa-gang, which I thought was cute. However, the rest of it was kind of horrible. Almost every character was annoying, most of all Julia Roberts and GuGu Mbatha-Raw. Even Hanks, who was fairly likable, wasn't someone you'd want to be friends with in real life. Further, the entire film was completely improbable, from the 24/7 yard sale hosted by Cedric the Entertainer and Taraji P. Henson (the best characters in the movie), to Wilmer Valderrama feeling threatened by Tom Hanks, to the Hanks-Roberts coupling even though they had zero chemistry and no more than three conversations. This movie will probably fade and finally disappear forever, which would probably be better everyone.
